THE RENAISSANCE IN INDIA
and a stressing both »jf the essential and the strict letter of the national past, which, yet masked a movement of assimi- lation. The third, only now beginning or recently begun, is rather a process of new creation in which the spiritual power- of the Indian mind remains supreme, recovers its truths, accepts whatever it finds sound or true, useful or inevitable of the modern idea and form, but so transmutes and indianiscs it, so absorbs and so transforms it entirely into itself that its foreign character disappears and it becomes another harmonious element in the characteristic working of the ancient goddess, the Shakti of India mastering and taking possession of the modern influence, no longer possessed or overeorae by it. Nothing in the many processes of Nature whether she deals with men or with things, comes by chance or accident or is really at the mercy of external causes. What things aie inwardly, determines the course of even
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