(d) | Better then Death, Death’s office thou dischargest ····· That a open canst with such an easie key
Cleopatra, K. iii.
|
Thou best of thieves; who with an easy key,
All for Love, Act v. sc. i.
|
(e) | False flesh (saith she) and what dost thou conspire
Cleopatra, K. iiii.
|
Coward flesh,
All for Love, Act v. sc. i.
|
(f) | Ile bring my soule my selfe, and that with speede,
Cleopatra, K. v.
|
But bring myself my soul to Antony.
All for Love, Act v. sc. i.
|
(g) | She went with such a will.
Cleopatra, K. v.
|
I go with such a will to find my lord.
All for Love, Act v. sc. i.
|
(h) | And now proude Tyrant Cæsar do thy worst.
Cleopatra, K. iiii. verso.
|
Cæsar, thy worst.
All for Love, Act v. sc. i.
|
(i) | Charmion, is this well done? saide one of them.
Cleopatra, K. v.
|
Charmion, is this well done?
All for Love, Act v. sc. i.
|
(j) | And in that cheere th’ impression of a smile
Cleopatra, K. iiii. verso, K. v.
|
Th’ impression of a smile, left in her face
All for Love, Act v. sc. i.
|
ii. Dryden and Milton.
Aubrey[1] is the authority for the well-known story of Dryden’s visit to Milton to obtain permission “to tagge his verses.” Dr. Verrall[2] was of opinion that it is probably apocryphal. This version of it, with additional details, seems to have escaped notice: