THE SACRED FOUNT
in the world so clever a man should not have been clever. "Obert," I accordingly took upon myself to remark, "had evidently laboured under some extraordinary delusion. He must literally have doubted if Long was clever."
"Fancy!" Mrs. Server explained with a charming smile at Long, who, still looking pleasantly competent and not too fatuous, amiably returned it.
"They're natural, they're natural," I privately reflected; "that is, he's natural to her, but he's not so to me." And as if seeing depths in this, and to try it, I appealed to him. "Do, my dear man, let us have it again. It's the picture, of all pictures, that most needs an interpreter. Don't we want," I asked of Mrs. Server, "to know what it means?" The figure represented is a young man in black—a quaint, tight black dress, fashioned in years long past; with a pale, lean, livid face and a stare, from eyes without eyebrows, like that of some whitened old-world clown. In his hand he holds an object that strikes the spectator at first simply as some obscure, some ambiguous work of art, but that on a second view becomes a representation of a human face, modelled and coloured, in wax, in enamelled metal, in some substance not human. The object thus appears a complete mask, such as might have been fantastically fitted and worn.
"Yes, what in the world does it mean?" Mrs. Server replied. "One could call it—though that
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