ungallant comparison of the fresh beauty of the maiden with the passée comeliness of his queen:
bālāu honti kuūhaleṇa emeya cavalacittāo
daralasiathaṇīsu puṇo ṇivasai maaraddhaarahassaṁ.
'Though maidens in their young zest for life are fickle of faith, yet it is with them – their breasts just budding – that the mystery of the dolphin-bannered doth abide.'
For technique Rājaçekhara is of interest, because he uses in the Karpūramañjarī the old form of prologue quite openly, with the Nāndī recited doubtless by the Sūtradhāra, followed by the advent of the Sthāpaka who recites two verses. It is noteworthy that the manuscripts often alter the Sthāpaka to the Sūtradhāra despite the clear sense of the text. The late Pārvatīpariṇaya likewise has a Nandī before the Sūtradhāra speaks a verse. It is probable that the older technique long persisted in the south.
Rājaçekhara's indebtedness to his predecessors is wholesale; the influence of Kālidāsa, Harṣa, and Bhavabhūti is obvious, and it is probably an indication of his contemporaneity with, or slight posteriority to, Murārī that he does not seem to have known his writings. Influence of the vernacular or of Prākrit is to be seen in his occasional use of rhyme, such as is found in the later Gītagovinda or the Mohamudgara.
6. Bhīmaṭa and Kṣemīçvara
A verse attributed to Rājaçekhara mentions the five dramas of Bhīmaṭa, of which the Svapnadaçānana won him chief fame. He is described as a Kaliñjarapati, whence the suggestion has been made that he was a connection of the Candella king Harṣa of Jejākabhukti, who, we know, was a contemporary of Mahīpāla of Kanyakubja, patron of Rājaçekhara, but we have no ground for positive assertion.[1]
The case is different with Kṣemīçvara, who in his Caṇḍakauçika wrote for Mahīpāla, doubtless the king of Kanyakubja, patron of Rājaçekhara. Kṣemīçvara asserts his patron's victory over the Karṇāṭas, which was doubtless the view taken in royal circles of the contest against the Rāṣṭrakūṭa Indra III, who for his part claims victory over Mahodaya, or Kanyakubja.[1] A
