ings clogs which were not mates, dragging in a huge dog on a chain, the incomparable humor in the passage in which Hesus, desperately seasick, sees that which makes him believe that even worse misfortunes are in store for him: these details are masterpieces of realism. The description of the night-prowling shyster lawyer, whose forehead is covered with sebaceous wens, is the very acme of propriety; our first meeting with the poet Eumolpus is a beautiful study in background and perspective. Nineteen centuries have gone their way since this novel was written, but if we look about us we will be able to recognize, under the veneer of civilization, the originals of the Satyricon and we will find that here, in a little corner of the Roman world, all humanity was held in miniature. Petronius must be credited with the great merit of having introduced realism into the novel. By an inspiration of genius, he saw that the framework of frivolous and licentious novels could be enlarged until it took in contemporary custom and environment. It is that which assures for him an eminent place, not in Roman literature alone, but in the literature of the world.
a—INFLUENCE OF THE SATYRICON UPON LITERATURE.
The vagrant heroes of Petronius are the originals from whom, directly or indirectly, later authors drew
