revolting expressions: to go to these Megeres is often to encounter brigands and assassins: what a spectacle! It is the deformity of vice in the rags of indigence.
Ah! But these are not courtesans, they are the dregs of cities. A courtesan worthy of the name is a beautiful woman, gracious and amiable, at whose home gather men of letters and men of the world; the first magistrates, the greatest captains: and who keeps men of all professions in a happy state of mind because she is pleasing to them, she inspires in them a desire for reciprocal pleasure: such an one was Aspasia who, after having charmed the cultured people of Athens was for a long time the good companion of Pericles, and contributed much, perhaps, towards making his century what it was, the age of taste in arts and letters. Such an one also was Phryne, Lais, Glycera, and their names will always be celebrated; such, also, was Ninon d’Enclos, one of the ornaments of the century of Louis XIV, and Clairon, the first who realized all the grandeur of her art; such an one art thou, C———, French Thalia, who commands attentions, I do not say this by way of apology but to share the opinion of Alceste.
A courtesan such as I have in mind may have all the public and private virtues. One knows the severe probity of Ninon, her generosity, her taste for the
