remembrance. The Immortals who were within earshot drove him out, and forbade him to return. He thought he had only been there a few days, but he could no longer find his relatives. No one knew the name he asked for. At last an old man said: "There existed once, under the reign of I do not now remember what sovereign, an old mandarin of the name, but you would have some difficulty in finding him, for he has been dead three or four hundred years." An Esthonian tale represents a mermaid, the daughter of the Water-Mother, as falling in love with a loutish boy, the youngest son of a peasant, and taking him down to dwell with her as her husband in her palace beneath the waves. The form in which she appeared to him was a woman's; but she passed her Thursdays in seclusion, which she forbade him to break, enjoining him, moreover, never to call her Mermaid. After little more than a year, however, he grew curious and jealous, and yielded to the temptation of peeping through the curtain of her chamber, where he beheld her swimming about, half woman and half fish. He had broken the condition of his happiness, and might no longer stay with her. Wherefore he was cast up again on the shore where he had first met the mermaid. Rising and going into the village he inquired for his parents, but found that they had been dead for more than thirty years, and that his brothers were dead too. He himself was unconsciously changed into an old man. For a few days he wandered about the shore, and the charitable gave him bread. He ventured to tell his history to one kind friend; but the same night he disappeared, and in a few days the waves cast up his body on the beach.[1]
The foregoing tales all combine with the characteristics
- ↑ Des Michels, p. 38; Kreutzwald, p. 212. See also my article on "The Forbidden Chamber," "F. L. Journal," vol. iii. p. 193, where the relations of the Esthonian tale to the myth of the Forbidden Chamber are discussed.
