CHAPTER XI.
SWAN-MAIDENS (continued).
The incident of the recovery of the bride not found in all the stories—New Zealand sagas—Andrianòro—Mother-right—The father represented under a forbidding aspect—Tasks imposed on the hero—The Buddhist theory of the Grateful Animals—The feather-robe a symbol of bride's superhuman character—Mode of capture—The Taboo—Dislike of fairies for iron—Utterance of name forbidden—Other prohibitions—Fulfilment of fate—The taboo a mark of progress in civilization—The divine ancestress—Totems and Banshees—Re-appearance of mother to her children—The lady of the Van Pool an archaic deity.
I hope I have made clear in the last chapter the connection between the various types of the Swan-maiden group of folk-tales. The one idea running through them all is that of a man wedding a supernatural maiden and unable to retain her. She must return to her own country and her own kin; and if he desire to recover her he must pursue her thither and conquer his right to her by undergoing superhuman penance or performing superhuman tasks,—neither of which it is given to ordinary men to do. It follows that only when the story is told of men who can be conceived as released from the limitations we have been gradually learning during the progress of civilization to regard as essential to humanity—only when the reins are laid upon the neck of invention,—is it possible to relate the narrative of the recovery of the bride. These conditions are twice fulfilled in the history of a folk-tale. They are fulfilled, first, when men are in that early stage of thought in which the limitations of
