This page has been validated.
SWAN-MAIDENS.
299

already seen, have quite different feelings from those of contempt for brutes. On the contrary, they entertain the highest respect and even awe for them. They trace their descent from some of them; and a change of form from beast to man, or from man to beast, while still preserving individual identity, would not seem at all incredible, or even odd, to them. By and by, however, the number of creatures having these astonishing powers would decrease, as the circle of experience widened. But there would linger a belief in remarkable instances, as at Shan-si, in China, where it is believed that there is still a bird which can divest itself of its feathers and become a woman. Not every swan would then be deemed capable of turning when it pleased into a fair maiden; and when this change happened, it would be attributed to enchantment, which had caused the maiden merely to assume the appearance of a swan for a time and for a special purpose. This often occurs, as we have seen, in märchen, where the contrast between the heroine and her father, or, as it is then often put, her master, is very strong. It occurs, too, in tales belonging to other types. A märchen told by Dr. Pitré relates that a man had a pet magpie, which by enchantment had the power of casting its wings and becoming a woman. She always practised this power in his absence; but he came home one day and found her wings on the chair. He burnt them, and she remained permanently a woman and married him. In a saga from Guiana a warlock's daughter persuades her father to transform her into a dog that she may venture near a hunter whom she loves. He accordingly gives her a skin, which she draws over her shoulders, and thus becomes a hound. When the hunter finds her in his hut as a maiden, the charmed skin hanging up and revealing her secret, he flings the skin into the fire and weds her.[1]

  1. "F. L. Journal," vol. vii. p. 318; Pitré, vol. iv. pp. 391, 410. A variant given by Prof. De Gubernatis is nearly allied to the Cinderella group ("Novelline," p. 29); Brett, p. 176.