band reluctantly narrated the whole adventure. No evil consequences immediately ensued from this breach of his vow. But he had lately taken a second wife; and she one day quarrelled with the first wife and taunted her with being a fish. Upbraiding her husband for having revealed the secret, the latter plunged into the sea and resumed her former shape. So in the Pawnee story of The Ghost Wife, a wife who had died is persuaded by her husband to come back from the Spirit Land to dwell again with himself and her child. All goes well until he takes a second wife, who turns out ill-tempered and jealous of the first wife. Quarrelling with her one day, she reproaches the latter with being nothing but a ghost. The next morning when the husband awoke, his first wife was no longer by his side. She had returned to the Spirit Land; and the following night both he and the child died in their sleep—called by the first wife to herself.[1] These sagas bring us back to that of Melusina, who disappears, it will be recollected, not when the count, her husband, breaks the taboo, but when, by calling her a serpent, he betrays his guilty knowledge.
A name, indeed, is the cause of offence and disappearance in many other of these stories. The chieftain of the Quins, who owned the Castle of Inchiquin on the lake of that name, near the town of Ennis in Ireland, found in one of the many caves of the neighbourhood a lady who consented to become his bride, only stipulating that no one bearing the name of O'Brien should be allowed to enter the castle gate. When this prohibition was infringed she sprang through a window with her child into the lake. The property has long since passed into the hands of the O'Briens; and amid the ruins of the castle the fatal window is still shown nearly as perfect as when the supernatural lady leaped through it into the waters. It may be safely said that the primitive form of the taboo has not come down to us in this tale, and that
- ↑ Ellis, p. 208; Grinnell, p. 129.
