name of Death being mentioned in her presence. A fair maiden in an Indian tale, who is found by the hero in the neighbourhood of a fountain, and bears the name of Bhekî (Frog), forbids her husband ever to let her see water. When she is thirsty and begs him for water, the doom is fulfilled on his bringing it to her. A similar tale may be added from Ireland, though Liebrecht does not mention it. A man who lived near Lough Sheelin, in County Meath, was annoyed by having his corn eaten night after night. So he sat up to watch; and to his astonishment a number of horses came up out of the lake driven by a most beautiful woman, whom he seized and induced to marry him. She made the stipulation that she was never to be allowed to see the lake again; and for over twenty years she lived happily with him, till one day she strolled out to look at the haymakers, and caught sight of the distant water. With a loud cry she flew straight to it, and vanished beneath the surface.[1]
Liebrecht's next reason is based upon the place where the maiden is found,—a forest, or a house in the forest. In this connection he refers to the tavern, or drinking-shop, on the borders of the forest, where Wild Edric found his bride, and points to a variant of the story, also given by Walter Map, in which she is said, in so many words, to have been snatched from the dead.[2] The forest, he fancies, is the place of the dead, the underworld. Lastly, he gives numerous legends of the Middle Ages,—some of which found their way into the "Decameron," that great storehouse of floating tales, and other literary works of imagination, as well as into chronicles,—and instances from more modern folklore, wherein a mistress or wife dies, or seems to die, and is buried, yet is afterwards recovered from the tomb, and lives to wed, if a maiden, and to bear children. He supports these by references to the vampire superstitions,
