of which the evidence has not yet disappeared from our own midst.
Nor need we be surprised at this, for the root whence all these phenomena spring is the predominance of imagination over reason in the uncivilized. Man, while his experience is limited to a small tract of earth, and his life is divided between a struggle with nature and his fellow-man for the permission and the means to live, on the one hand, and seasons of idleness, empty perforce of every opportunity and every desire for improving his condition, on the other, cannot acquire the materials of a real knowledge of his physical environment. His only data for interpreting the world and the objects it contains, so far as he is acquainted with them, are his own consciousness and his own emotions. Upon these his drafts are unbounded; and if he have any curiosity about the origin and government of things, his hypotheses take the shape of tales in which the actors, whatever form they bear, are essentially himself in motive and deed, but magnified and distorted to meet his wishes or his fears, or the conditions of the problem as presented to his limited vision. The thought which is the measure of his universe is as yet hardly disciplined by anything beyond his passions.
Nor does the predominance of the imagination issue only in these tales and in songs—the two modes of expression we most readily attribute to the imagination. In practical life it issues in superstitious observances, and in social and political institutions. Social institutions are sometimes of great complexity, even in the depth of savagery. Together with political institutions they supply the model on which are framed man's ideas of the relationship to one another and to himself of the supernatural beings whom he creates; and in turn they reflect and perpetuate those ideas in ceremonial and other observances. The student of Fairy Tales, therefore, cannot afford to neglect the study of institutions; for it often
