If thou pulle the sothe to sey,
Thi soule goeth to the fyre of hell
Hit cummes never out til domusday,
But ther ever in payne to dwelle."
An old story preserved for us by Saxo Grammaticus describes the visit of some Danish heroes to Guthmund, a giant who rules a delightful land beyond a certain river crossed by a golden bridge. Thorkill, their conductor, a Scandinavian Ulysses for cunning, warns his companions of the various temptations that will be set before them. They must forbear the food of the country, and be satisfied with that which they had brought with them; moreover, they must keep apart from the natives, taking care not so much as to touch them. In spite, however, of Thorkill's warnings to them, and his excuses in their behalf to the king, some of the heroes fell and were left behind when their friends were at last allowed to depart.[1] So far we see that the prohibition and the danger we found extant in the Fairyland of modern folk-tales apply also to the classic Hades; and we have traced them back a long way into the Middle Ages in French, British, and Danish traditions relating to fairies and other supernatural existences, with a special threat of Hell in the case of Thomas of Erceldoune.
On the other side of the globe the Banks' islanders believe, like the Greeks, in an underground kingdom of the dead, which they call Panoi. Only a few years ago a woman was living who professed to have been down there. Her object had been to visit her brother, who had recently died. To do this she perfumed herself with water in which a dead rat had been steeped, so as to give herself a death-like smell. She then pulled up a bird's nest and descended through the hole thus made. Her brother, whom of course she found, cautioned her to eat nothing, and by taking his advice she was able to return.
- ↑ Child, vol. i. p. 319; "Thomas of Erceldoune," p. 11 (Cambridge Text); Saxo, "Gesta Dan." l, viii.
