SYMPTOMATIC
He let that soak in. Then he turned about towards his interlocutor, and toyed with a club ash tray. "It's every day has overtaken you," he said. "You can't see the wood for the trees. You forget the spacious design you are engaged upon, in the heavy details of the moment. You are like a painter who has been working hard upon something very small and exacting in a corner. You want to step back and look at the whole thing."
"No," said Chatteris, "that isn't quite it."
Melville indicated that he knew better.
"I keep on, stepping back and looking at it," said Chatteris. "Just lately I've scarcely done anything else. I'll admit it's a spacious and noble thing—political work done well—only— I admire it, but it doesn't grip my imagination. That's where the trouble comes in."
"What does grip your imagination?"
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