interviews, disputes. The people, it appears, are incredibly sharp in conversation, in argument; they wait for you in silence at the corner of the road, and then they suddenly discharge their revolver. If you fall, they empty your pockets; the only chance is to shoot them first. With that, no amenities, no preliminaries, no manners, no care for the appearance. I wander about while my brother is occupied; I lounge along the streets; I stop at the corners; I look into the shops; je regarde passer les femmes. It 's an easy country to see; one sees everything there is; the civilization is skin deep; you don't have to dig. This positive, practical, pushing bourgeoisie is always about its business; it lives in the street, in the hotel, in the train; one is always in a crowd—there are seventy-five people in the tramway. They sit in your lap; they stand on your toes; when they wish to pass, they simply push you. Everything in silence; they know that silence is golden, and they have the worship of gold. When the conductor wishes your fare, he gives you a poke, very serious, without a word. As for the types—but there is only one—they are all variations of the same—the commis-voyageur minus the gayety. The women are often pretty; you meet the young ones in the streets, in the trains, in search of a husband. They look at you frankly, coldly, judicially, to see if you will serve; but they don't want what you might think (du moins on me l'assure); they only want the husband. A Frenchman may mistake; he needs to be sure he is right,
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THE POINT OF VIEW.
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