offered to accompany his beautiful compatriot to the Museum of the Luxembourg and tell her a little about the modern French school. She had not examined this collection, in spite of her determination to see everything remarkable (she carried her Murray in her lap even when she went to see the great tailor in the Rue de la Paix, to whom, as she said, she had given no end of points); for she usually went to such places with Sir Arthur, and Sir Arthur was indifferent to the modern painters of France. "He says there are much better men in England. I must wait for the Royal Academy, next year. He seems to think one can wait for anything, but I 'm not so good at waiting as he. I can't afford to wait—I've waited long enough." So much as this Mrs. Headway said on the occasion of her arranging with Rupert Waterville that they should some day visit the Luxembourg together. She alluded to the Englishman as if he were her husband or her brother, her natural protector and companion.
"I wonder if she knows how that sounds?" Waterville said to himself. "I don't believe she would do it if she knew how it sounds." And he made the further reflection that when one arrived from San Diego there was no end to the things one had to learn: it took so many things to make a well-bred woman. Clever as she was, Mrs. Headway was right in saying that she couldn't afford to wait. She must learn quickly. She wrote to Waterville one day to propose that they should go to the Museum
