there is no portrait of Aunt Emily, may I be pardoned if I try to give an idea of her external likeness? It has been often told that she wore white exclusively. She has said herself, in one of her letters to an inquisitive friend who had never seen her and importuned for a hint of her outward self,—that her eyes were the color of the sherry left in the glass by him to whom she wrote. Her hair was of that same warm bronze-chestnut hue that Titian immortalized, and she wore it parted on her brow and low in her neck, but always half covered by a velvet snood of the same tint; such as the Venetian painters loved to add as a final grace to the portraits of their beloved and beautiful women. Her cheek was like the petal of the jasmine, a velvety white never touched by a hint of color. Her red lips parted over very regular little teeth like the squirrels' and it was the rather long upper lip that gave to the mouth its asceticism, and betrayed the monastic tendency in her, of which she was probably quite unaware.
If this combines nature and art and mys-
