Ibarra went to his room, which overlooked the river, and dropping into a chair gazed out into the vast expanse of the heavens spread before him through the open window. The house on the opposite bank was profusely lighted, and gay strains of music, largely from stringed instruments, were borne across the river even to his room.
If the young man had been less preoccupied, if he had had more curiosity and had cared to see with his opera glasses what was going on in that atmosphere of light, he would have been charmed with one of those magical and fantastic spectacles, the like of which is sometimes seen in the great theaters of Europe. To the subdued strains of the orchestra there seems to appear in the midst of a shower of light, a cascade of gold and diamonds in an Oriental setting, a deity wrapped in misty gauze, a sylph enveloped in a luminous halo, who moves forward apparently without touching the floor. In her presence the flowers bloom, the dance awakens, the music bursts forth, and troops of devils, nymphs, satyrs, demons, angels, shepherds and shepherdesses, dance, shake their tambourines, and whirl about in rhythmic evolutions, each one placing some tribute at the feet of the goddess. Ibarra would have seen a beautiful and graceful maiden, clothed in the picturesque garments of the daughters of the Philippines, standing in the center Of a semicircle made up of every class of people, Chinese, Spaniards, Filipinos, soldiers, curates, old men and young, all gesticulating and moving about in a lively manner. Padre Damaso stood at the side of the beauty, smiling like one especially blessed. Fray Sibyla—yes, Fray Sibyla
