Page:The Soft Side (New York, The Macmillan Company, 1900).djvu/27

This page has been validated.
THE GREAT GOOD PLACE
19

the least mind what they were called—'regular boarders.' It was not they who made the conditions, it was the conditions that made them. These conditions found themselves accepted, clearly, with an appreciation, with a rapture, it was rather to be called, that had to do—as the very air that pervaded them and the force that sustained—with their quiet and noble assurance. They combined to form the large, simple idea of a general refuge—an image of embracing arms, of liberal accommodation. What was the effect, really, but the poetisation by perfect taste of a type common enough? There was no daily miracle; the perfect taste, with the aid of space, did the trick. What underlay and overhung it all, better yet, Dane mused, was some original inspiration, but confirmed, unquenched, some happy thought of an individual breast. It had been born somehow and somewhere—it had had to insist on being—the blessed conception. The author might remain in the obscure, for that was part of the perfection: personal service so hushed and regulated that you scarce caught it in the act and only knew it by its results. Yet the wise mind was everywhere—the whole thing, infallibly, centred, at the core, in a consciousness. And what a consciousness it had been, Dane thought, a consciousness how like his own! The wise mind had felt, the wise mind had suffered; then, for all the worried company of minds, the wise mind had seen a chance. Of the creation thus arrived at you could none the less never have said if it were the last echo of the old or the sharpest note of the modern.

Dane again and again, among the far bells and the soft footfalls, in cool cloister and warm garden, found himself wanting not to know more and yet liking not to know less. It was part of the general beauty that there was no personal publicity, much less any personal success. Those things were in the world—in what he had left; there was no vulgarity here of credit or claim or fame. The real exquisite was to be without the complication of an identity, and the greatest