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more ineffably perfect. There was no guile or cruelty in them, no delight in the exercise of their power, no consciousness of it, no consciousness of my proximity, or of the spell-bound men, or of the uncountable skeletons of their myriad victims. Their faces expressed but one emotion: utter absorption in the ecstasy of singing, the infinite preoccupation of artists in their art.

"I walked all round them, gazing now with all my eyes, now through my short-focused glass. Their coat of feathers was as if very short and close like seal-skin fur and covered them entirely from the throat down, to the ends of their fingers and the soles of their feet. They did not move except to sit up to sing or lie down to sleep. Sometimes both sang together, sometimes alternately, but if one slept the other sang on and on without ceasing.

"I of course could not hear their music, but the mere sight of them fascinated me so that I forgot my weariness from anxiety and loss of sleep, forgot the vertical sun, forgot food and drink, forgot my shipmates, forgot everything.

"But as I could not hear this state was transitory. I began to look elsewhere than at the sirens. My gaze turned again upon the men. Again I made futile efforts to reach the sirens, to shoot at them, to aim at them. I could not.

"I returned to my dory and drank a great deal