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THE SOULS OF BLACK FOLK

trunks of pines tower above the green cotton-fields, cracking their naked gnarled fingers toward the border of living forest beyond. There is little beauty in this region, only a sort of crude abandon that suggests power,—a naked grandeur, as it were. The houses are bare and straight; there are no hammocks or easy-chairs, and few flowers. So when, as here at Rawdon's, one sees a vine clinging to a little porch, and home-like windows peeping over the fences, one takes a long breath. I think I never before quite realized the place of the Fence in civilization. This is the Land of the Unfenced, where crouch on either hand scores of ugly one-room cabins, cheerless and dirty. Here lies the Negro problem in its naked dirt and penury. And here are no fences. But now and then the criss-cross rails or straight palings break into view, and then we know a touch of culture is near. Of course Harrison Gohagen,—a, quiet yellow man, young, smooth-faced, and diligent,—of course he is lord of some hundred acres, and we expect to see a vision of well-kept rooms and fat beds and laughing children. For has he not fine fences? And those over yonder, why should they build fences on the rack-rented land? It will only increase their rent.

On we wind, through sand and pines and glimpses of old plantations, till there creeps into sight a cluster of buildings,—wood and brick, mills and houses, and scattered cabins. It seemed quite a village. As it came nearer and nearer, however, the aspect changed: the buildings were rotten, the bricks were falling out, the mills were silent, and the store was closed. Only