nearest goes in first. He stands on the curb, takes his nicker, and aims it at a button agreed upon by the rest. If he hits it, he gets the button and has another turn; if he misses, the next boy goes in, and the one who has got the most buttons is the winner. This game is called Nicking. Another consists in putting all the buttons close together on a line and hitting one out of the line without touching the others. This is called Hard Buttons, and its successful play necessitates a very neat and steady aim. Almost all the other games of buttons, of which there are at least some seven or eight variations, are played on similar lines; and the fact that the winner may keep all the buttons he takes no doubt accounts in a measure for their great popularity.
Both the games described above are in "season" during the summer months, as are also Hopscotch and London, whilst a few games, like marbles, may be played pretty nearly all the year round. I have not been able to obtain any precise information as to why certain games are played at certain seasons: for instance, why marbles should be countenanced all the year round and buttons only during summer; but on the whole the theory seems to be that "hot" games, involving a certain amount of physical exertion, such as tops, tip-cat, and running games, should be played in winter and less active ones in summer; but even this theory is incomplete, as Release, which involves a large amount of running, is played as much in hot weather as in cold.
"Hopscotch."
Hopscotch is almost as popular with both girls and boys as Buck and Gobs, and is decidedly most embarrassing to the pedestrian who happens to walk unwarily across the chalk lines and bring the "hopper" to a full stop. A glance at the illustration will show how the lines are drawn, the spaces being respectively named one sie, two sie, three sie, four sie, and puddings. The exact playing varies slightly in different districts, but the usual modus operandi for the player to deposit the bit of broken china—generally off a cup or saucer—which she holds in her hand, on "one sie." She then hops up to P. and back again, picking up the bit of china as she comes down again. She repeats exactly the same process until she has placed the china on "four sie," and brought it down with her. Then the real play begins with what is called "Hard Labour." The chip of china is placed on "one sie," and the player, hopping on the right foot, has to chip the china into each space. If it goes on the line, or if she chips it more than once in each space, she is out, and someone else goes in. If, however, she surmounts these difficulties and hops back to one sie, chipping the china before her, she goes in for the final heat. The bit of china is placed on her toe, and her object is to walk up to "four sie" and back without letting the china drop off, at the same time making only one step in each space. This game has the additional advantage of keeping the attention of all the other children who are not "in" employed and interested, as an artful player who is not carefully watched can easily "chip" the china "twice," or take two steps, or commit any of the other small breaches of the rules, for which the bystanders are, of course, on the alert. A bit of broken china figures in nearly all the games, and it is certainly rather a commentary on the people who are so anxious to bestow expensive toys of all kinds on poor children, that their favourite games are played with a bit of chalk, a few buttons, a scrap of broken china, and some stones out of the roadway.
London, so far as I can gather, is a completely modern game, and is more in
