characteristics may be noticed. The dark hue which appears on the surface of the hands of the two last named Princesses is not the fault of the photograph but of the casts, which are, unfortunately, in a soiled condition.
Hand of Anak, the Giant. Hand of Caroline, sister of Napoleon.
Mr. Gladstone's hand.
It is a circumstance not a little singular, but the only cast in this collection which is anterior to the Queen's, itself appertains to Royalty, being none other than the hand of Caroline, sister of the first Napoleon, who also, it must not be forgotten, was a queen. It is purposely coupled in the photograph with that of Anak, the famous French giant, in order to exhibit the exact degree of its deficiency in that quality which giants most and ladies least can afford to be complaisant over—size. Certainly it would be hard to deny it grace and exquisite proportion, in which it resembles an even more beautiful hand, that of the Greek lady, Zoe, wife of the late Archbishop of York, which seems to breathe of Ionian mysticism and elegance.
Hand of Zoe, wife of the late Archbishop of York.
Lord Beaconsfield's hand.
One cannot dwell long upon this quality of grace and elegance without adverting to a hand which, if not the most wonderful among the hands masculine, is with one exception the most beautiful. When it is stated that this cast of Mr. Gladstone's hand was executed by Mr. Adams Acton, quite recently; that one looks upon the hand not of a youth of twenty, but of an octogenarian, it is difficult to deny it the epithet remarkable. Although the photograph is not wholly
