in the case of Lord Granville, the Earl of Kimberley in his influence upon Lord Salisbury acts the part of a wet blanket.
Lord Kimberley.
LORD ROSEBERRY. Happily Lord Granville has left behind him an inheritor of much of his personal and oratorical charm, one, moreover, who has an equally happy effect in influencing Lord Salisbury. If the House of Lords were the House of Commons, and circumstances analogous to those taking place within the last two years had followed, Lord Rosebery would, as a matter of course, have stepped into the shoes of Lord Granville. But the ways of the House of Lords are peculiarly its own; and Lord Kimberley leads it.
Lord Rosebery's style, whether in the House or in after dinner speech, is closely akin to Lord Granville's in respect of grace and delicacy of touch. Where difference is marked is possibly found in the particulars that Lord Granville's style was the more polished and Lord Rosebery's is the more vigorous. Lord Granville played around the victim of his gentle humour, almost apologetically pinking him with polished rapier. Lord Rosebery will do that sometimes; but, occasionally, as the late Lord Brabourne knew, he is capable of delivering a blow straight from the shoulder on the visage of a deserving object. His oratorical style may be described as English, benefiting by application of French polish. Lord Granville's was French, with substratum of what we are pleased to regard as British solidity.
Duke of Argyll.
Lord Rosebery is one of the few peers who make light of the ordinarily fatal effects of the gilded chamber. He apparently makes no particular effort, but manages to fill every recess with the music of his voice. So does the Duke of Argyll, but he is not without suspicion of uplifting his voice in unaristocratic shout. This is probably due to the fact that the MacCullum More, having all his life lived in association with the bagpipes, has unconsciously caught the attitude, and is apparently under sore temptation to take the strut, of the player. When he addresses the Lords he throws back his head, inflates his chest, and slightly extends his right foot, an attitude that only wants the accessory of the bagpipes to make it completely national.
The late Lord Chancellor and the present occupant of the Woolsack have, in common, the advantage of making themselves heard in the House. As for Lord Bramwell, he has a voice that would be heard in a storm at sea. Lord Ashbourne, who used to be thought a little loud-voiced for the delicate arrangement of the House of Commons, is quite at home in the House of Lords. The Marquis of Waterford is another peer who under peculiar circumstances may be listened to without painful effort. Owing to an accident in the hunting field the Marquis is disabled from standing, and has special permission to address the House seated. This he does with surprising vigour alike of voice and invective. Lord Dudley, one of the youngest peers, has excellent voice and delivery, the more fortunate in his case as he generally has something to say worth listening to. Lord Winchilsea and Nottingham is still another peer who commands the ear of the House.
