Page:The Tattooed Countess (1924).pdf/142

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Then, as Lou firmly pressed her towards the door, turning, just before she made her exit, she shot out: Sodom and Gomorrah, your day will come!

Lou watched her as she carefully descended the stone steps and marched slowly down the side-walk until she came to the next house, which she entered. A moment later Ella's face peered down over the banisters from above.

Has she gone? she whispered.

Yes, Lou replied.

Ella descended the stairs. What colossal cheek! she said. The woman must be dotty. Does she do this often?

No, she has never done it before. She has never been inside this house before.

Lou was obviously so much the prey of astonishment that she found speech with difficulty. The Countess, who had begun to consider the incident ridiculous, entered the parlour and sat down before the piano. Running her hands over the keys, she struck the first chords of Chaminade's Scarf Dance. Lou had followed her and stood looking at her across the black polished surface of the Steinway, absent-mindedly rubbing her fingers over the lid in a vain search for dust.

She ought to begin at home, Lou went on. Her husband goes to burlesque shows in Chicago. He was seen with a woman there once, a young girl. He goes down to Davenport . . .