meeting. How fine he had appeared in his royal blue doublet and hose; how valiantly he had assisted in the celebrated presage quartet; how vigorously he had attacked his Ra-ta-plan air in the last act! Later, she had heard him sing Grenicheux in Les Cloches de Corneville—could she ever forget the Barcarolle?—Marasquin in Girofle-Girofla, Valentine in Olivette, and, above all, Paris in La Belle Helene:
Pour enjôler les garçons
Ont de drôles de façons!
She could still feel the flush of blood to her cheeks at the moment when she first met him in the park. She had spoken to him, told him how greatly she had admired his performance in La Mascotte, and he had accepted her praise, she recalled, much in the manner that Jean de Reszke might receive encomiums in regard to his interpretation of Raoul in Les Huguenots. Then, she had asked him to dine with her. She knew then, she knew now, how ridiculous she had been. She knew that his reason for accepting her attentions was based on his correct suspicion that she was rich. She could analyze his motives now. She was conscious, indeed, that she must always have known, really, in some subterranean chamber of her mind, just how far his affections carried. At the time, however, she had stifled logical thought, common sense, for she had fallen
