Page:The Tattooed Countess (1924).pdf/227

This page has been proofread, but needs to be validated.

Gareth responded. When they say Bohemytown they mean the worst.

The sun's direct rays beat down mercilessly. It was as hot a day as Ella could remember, the kind of day, indeed, which she would ordinarily have spent in bed with the blinds drawn, reading a novel, with a pitcher of some refreshing beverage on the table beside her pillow. But today she did not mind the heat.

There would be a fine opportunity for a painter here, Gareth went on.

Helas, there are no American painters, the Countess objected.

Who are the great painters now?

For portraits, Chartran and Carolus-Duran. Duran has painted me. For landscapes, Harpignies and Corot. For animals, Rosa Bonheur. For beautiful pictures, Bastien-Lepage, Jean-Paul Laurens, Henner, and, above all, Bouguereau, whom I prefer even to Ingres and Cabanel. The pictures of these men and a few more, Gérôme, Meissonier, and Jules Breton, will always live. They are the last of the giants.

What about the impressionists?

O, the impressionists! The Countess made a gesture indicating disgust. A side issue! A freak side issue! They amounted to nothing and now that they are finished they will soon be forgotten. Painting will go back to what it was before. For my part, I recognize neither drawing, nor colouring,