verisimilitude, to brave ridicule even, a little, in order to show, in a special case, what he had always maintained in general, that the direction of a young person's studies for the stage may be an interest of as high an order as any other artistic consideration.
"Mr. Nash has rendered us the great service of introducing us to Madame Carré, and I'm sure we're immensely indebted to him," Mrs. Rooth said to her daughter, with an air affectionately corrective.
"But what good does that do us?" the girl asked, smiling at the actress and gently laying her finger-tips upon her hand. "Madame Carré listens to me with adorable patience and then sends me about my business—in the prettiest way in the world."
"Mademoiselle, you are not so rough; the tone of that is very juste. A la bonne heure; work—work!" the actress exclaimed. "There was an inflection there, or very nearly. Practise it till you've got it."
"Come and practise it to me, if your mother will be so kind as to bring you," said Peter Sherringham.
"Do you give lessons—do you understand?" Miriam asked.
"I'm an old playgoer, and I have unbounded belief in my own judgment."
"'Old,' sir, is too much to say," Mrs. Rooth remonstrated. "My daughter knows your high position, but she is very direct. You will always find her so. Perhaps you'll say there are less honourable faults. We'll come to see you with pleasure. Oh, I've been at the Embassy, when I was her age. Therefore why shouldn't she go to-day? That was in Lord Davenant's time."
