Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 1.djvu/160

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frightened creature who had pulled herself together with such an effort at Madame Carré's, nor the elated "phenomenon" who had just been declaiming, nor the rather affected and contradictious young person with whom he had walked home from the Rue de Constantinople. Was this succession of phases a sign that she really possessed the celebrated artistic temperament, the nature that made people provoking and interesting? That Sherringham himself was of that shifting complexion is perhaps proved by his odd capacity for being of two different minds at very nearly the same time. Miriam was pretty now, with likeable looks and charming usual eyes. Yes, there were things he could do for her; he had already forgotten the chill of Mr. Nash's irony, of his prophecy. He was even scarcely conscious how much, in general, he detested hints, insinuations, favours asked obliquely and plaintively: that was doubtless also because the girl was so pretty and so fraternizing. Perhaps indeed it was unjust to qualify it as roundabout, the manner in which Miss Rooth conveyed to him that it was open to him not only to pay for lessons for her, but to meet the expense of her nightly attendance, with her mother, at instructive exhibitions of theatrical art. It was a large order, sending the pair to all the plays; but what Sherringham now found himself thinking about was not so much its largeness as that it would be rather interesting to go with them sometimes and point the moral (the technical one), showing her the things he liked, the things he disapproved. She repeated her declaration that she recognized the fallacy of her mother's views about "noble" heroines and about the importance of her looking out for such tremendously proper