and of drippings of watery beer. The place was subdued to stillness, but not extinguished, by the lateness of the hour; no vehicles passed, but only now and then a light Parisian foot. Beyond the parapet they could hear the flow of the Seine. Nick Dormer said it made him think of the old Paris, of the great Revolution, of Madame Roland, quoi! Gabriel Nash said they could have watery beer but were not obliged to drink it. They sat a long time; they talked a great deal, and the more they said the more the unsaid came up. Presently Nash found occasion to remark: "I go about my business, like any good citizen—that's all."
"And what is your business?"
"The spectacle of the world."
Nick laughed out. "And what do you do with that!"
"What does any one do with a spectacle? I look at it."
"You are full of contradictions and inconsistencies. You described yourself to me half an hour ago as an apostle of beauty."
"Where is the inconsistency? I do it in the broad light of day, whatever I do: that's virtually what I meant. If I look at the spectacle of the world I look in preference at what is charming in it. Sometimes I have to go far to find it—very likely; but that's just what I do. I go far—as far as my means permit me. Last year I heard of such a delightful little spot: a place where a wild fig-tree grows in the south wall, the outer side, of an old Spanish city. I was told it was a deliciously brown corner, with the sun making it warm in winter! As soon as I could I went there."
"And what did you do?"
