half undressed, who lounged familiarly in the middle of the room and over whom Nick had been still more familiarly hanging. Julia's eyes rested on this embodied unexpectedness, and as they did so she grew pale—so pale that Nick, observing it, instinctively looked back to see what Miriam had done to produce such an effect. She had done nothing at all, which was precisely what was embarrassing; only staring at the intruder, motionless and superb. She seemed, somehow, in indolent possession of the place, and even in that instant Nick noted how handsome she looked; so that he exclaimed somewhere, inaudibly, in a region beneath his other emotions: "How I should like to paint her that way!" Mrs. Dallow transferred her eyes for a single moment to Nick's; then they turned away—away from Miriam, ranging over the room.
"I've got a sitter, but you mustn't mind that; we're taking a rest. I'm delighted to see you," said Nick. He closed the door of the studio behind her; his servant was still at the outer door, which was open and through which he saw Julia's carriage drawn up. This made her advance a little further, but still she said nothing; she dropped no answer even when Nick went on, with a sense of awkwardness: "When did you come back? I hope nothing has gone wrong. You come at a very interesting moment," he continued, thinking as soon as he had spoken that they were such words as might have made her laugh. She was far from laughing; she only managed to look neither at him nor at Miriam and to say, after a little, when he had repeated his question about her return:
"I came back this morning—I came straight here."
"And nothing's wrong, I hope?"
