Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 2.djvu/234

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XVII.


If Peter Sherringham was ruffled by some of Miriam's circumstances there was comfort and consolation to be drawn from others, beside the essential fascination (there was no doubt about that now) of the young lady's own society. He spent the afternoon, they all spent the afternoon, and the occasion reminded him of a scene in "Wilhelm Meister." Mrs. Rooth had little resemblance to Mignon, but Miriam was remarkably like Philina. Luncheon was delayed two or three hours; but the long wait was a positive source of gaiety, for they all smoked cigarettes in the garden and Miriam gave striking illustrations of the parts she was studying. Sherringham was in the state of a man whose toothache has suddenly stopped—he was exhilarated by the cessation of pain. The pain had been the effort to remain in Paris after Miriam came to London, and the balm of seeing her now was the measure of the previous soreness.

Gabriel Nash had, as usual, plenty to say, and he talked of Nick Dormer's picture so long that Sherringham wondered whether he did it on purpose to vex him. They went in and out of the house; they made excursions to see how lunch was coming on; and Sherringham got half an hour alone, or virtually alone, with the object of his unsanctioned passion—