cruder justification of this inconsequence than he would have thought adequate in advance. It consisted simply in the idea that to be identified with the first public steps of a young genius was a delightful experience. What was the harm of it, if the genius were real? Sherringham's main security was now that his relations with Miriam had been frankly placed under the protection of the idea of legitimate extravagance. In this department they made a very creditable figure and required much less watching and pruning than when it was his effort to fit them into a worldly plan. Sherringham had a sense of real wisdom when he said to himself that it surely should be enough that this momentary intellectual participation in the girl's dawning fame was a charming thing. Charming things, in a busy man's life, were not frequent enough to be kicked out of the way. Balaklava Place, looked at in this philosophic way, became almost idyllic: it gave Peter the pleasantest impression he had ever had of London.
The season happened to be remarkably fine; the temperature was high, but not so high as to keep people from the theatre. Miriam's "business" visibly increased, so that the question of putting on the second play underwent some reconsideration. The girl insisted, showing in her insistence a temper of which Sherringham had already caught some splendid gleams. It was very evident that through her career it would be her expectation to carry things with a high hand. Her managers and agents would not find her an easy victim or a calculable force: but the public would adore her, surround her with the popularity that attaches to a humorous, good-natured princess, and her comrades would have a kindness for her because she
