sentimental—that whatever capacity she might have for responding to a devotion or for desiring it was at any rate not in the direction of vague philandering. With him certainly she had no disposition to philander. Sherringham was almost afraid to think of this, lest it should beget in him a rage convertible mainly into caring for her more. Rage or no rage, it would be charming to be in love with her if there were no complications; but the complications were in advance just what was clearest in the business. He was perhaps cold-blooded to think of them; but it must be remembered that they were the particular thing which his training had equipped him for dealing with. He was at all events not too cold-blooded to have, for the two months of his holiday, very little inner vision of anything more abstract than Miriam's face. The desire to see it again was as pressing as thirst; but he tried to teach himself the endurance of the traveller in the desert. He kept the Channel between them, but his spirit moved every day an inch nearer to her, until (and it was not long) there were no more inches left. The last thing he expected the future ambassadress to have been was a fille de théâtre. The answer to this objection was of course that Miriam was not yet so much of one but that he could easily head her off. Then came worrying retorts to that, chief among which was the sense that to his artistic conscience heading her off would be simple shallowness. The poor girl had a right to her chance, and he should not really alter anything by taking it away from her; for was she not the artist to the tips of her tresses (the ambassadress never in the world), and would she not take it out in something else if one
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THE TRAGIC MUSE.
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