Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 3.djvu/157

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XIII.


Peter Sherringham said so little during the performance that his companion was struck by his dumbness, especially as Miriam's acting seemed to Nick Dormer magnificent. He held his breath while she was on the stage—she gave the whole thing, including the spectator's emotion, such a lift. She had not carried out her fantastic menace of not exerting herself, and, as Mrs. Rooth had said, it little mattered for whom she acted. Nick was conscious as he watched her that she went through it all for herself, for the idea that possessed her and that she rendered with extraordinary breadth. She could not open the door a part of the way to it and let it simply peep in; if it entered at all it must enter in full procession and occupy the premises in state.

This was what had happened on an occasion which, as Nick noted in his stall, grew larger with each throb of the responsive house; till by the time the play was half over it appeared to stretch out wide arms to the future. Nick had often heard more applause but he had never heard more attention; for they were all charmed and hushed together and success seemed to be sitting down with them. There had been of course plenty of announcement—the newspapers had abounded and the arts of the manager had taken the freest license; but