Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 3.djvu/35

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THE TRAGIC MUSE.
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muses. Such an original might himself privately, perversely regard certain phases of this inferior commerce as a great affair; but who would give him the benefit of that sort of confidence—except indeed a faithful, clever, excited little sister Biddy, if he should have the good luck to have one? Biddy was in fact all ready for heroic flights and eager to think she might fight the battle of the beautiful by her brother's side; so that Nick had really to moderate her and remind her that his actual job was not a crusade, with bugles and banners, but a gray, sedentary grind, whose charm was all at the core. You might have an emotion about it, and an emotion that would be a help, but this was not the sort of thing you could show—the end in view would seem ridiculously small for it. Nick asked Biddy how one could talk to people about the "responsibility" of what she would see him pottering at in his studio.

Nick therefore didn't talk any more than he was forced to, having moreover a sense that that side of the situation would be plentifully looked after by Gabriel Nash. He left the burden of explanation to others, meeting them on the ground of inexhaustible satire. He saw that he should live for months in a thick cloud of irony, not the finest air of the season, and he adopted the weapon to which a person whose use of tobacco is only occasional resorts when every one else produces a cigar—he puffed the empirical, defensive cigarette. He accepted the idea of a mystery in his behaviour and abounded so in that sense that his critics were themselves bewildered. Some of them felt that they got, as the phrase is, little out of him—he rose in his good-humour so much higher than the "rise"