Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 3.djvu/79

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THE TRAGIC MUSE.
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looked out of her sombre, conscious eyes and quavered in her preoccupied, perfunctory tones. She manifested an extravagant interest in his future proceedings, the probable succession of events in his career, the different honours he would be likely to come in for, the salary attached to his actual appointment, the salary attached to the appointments that would follow—they would be sure to, wouldn't they?—and what he might reasonably expect to save. Oh, he must save—Lady Agnes was an advocate of saving; and he must take tremendous pains and get on and be clever and ambitious: he must make himself indispensable and rise to the top. She was urgent and suggestive and sympathetic; she threw herself into the vision of his achievements and emoluments as if to satisfy a little the sore hunger with which Nick's treachery had left her. This was touching to Peter Sherringham, and he did not remain unmoved even at those more importunate moments when, as she fell into silence, fidgeting feverishly with a morsel of fancy-work that she had plucked from a table, her whole presence became an intense repressed appeal to him. What that appeal would have been had it been uttered was: "Oh, Peter, take little Biddy; oh, my dear young friend, understand your interests at the same time that you understand mine; be kind and reasonable and clever; save me all further anxiety and tribulation and accept my lovely, faultless child from my hands."

That was what Lady Agnes had always meant, more or less, that was what Grace had meant, and they meant it with singular lucidity on the present occasion. Lady Agnes meant it so much that from one moment to another Peter scarcely