This page has been proofread, but needs to be validated.
THE MAKING OF A NEW YORKER
 

self known to him—an odor of the earliest spring flowers of Paradise. And then a hand soft as a falling petal touched his brow. Bending over him was the woman clothed like the princess of old, with blue eyes, now soft and humid with human sympathy. Under his head on the pavement were silks and furs. With Raggles’s hat in his hand and with his face pinker than ever from a vehement burst of oratory against reckless driving, stood the elderly gentleman who personified the city’s wealth and ripeness. From a nearby café hurried the by-product with the vast jowl and baby complexion, bearing a glass full of a crimson fluid that suggested delightful possibilities.

“Drink dis, sport,” said the by-product, holding the glass to Raggles’s lips. Hundreds of people huddled around in a moment, their faces wearing the deepest concern. Two flattering and gorgeous policemen got into the circle and pressed back the overplus of Samaritans. An old lady in a black shawl spoke loudly of camphor; a newsboy slipped one of his papers beneath Raggles’s elbow, where it lay on the muddy pavement. A brisk young man with a notebook was asking for names.

A bell clanged importantly, and the ambulance cleaned a lane through the crowd. A cool surgeon slipped into the midst of affairs.

“How do you feel, old man?” asked the surgeon, stooping easily to his task. The princess of silks and

[109]