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ELSIE IN NEW YORK
 

Mr. Otter struck a bell. A long-nosed clerk thrust a portion of himself inside the door.

“Send Miss Hawkins in,” said Mr. Otter. Miss Hawkins came.

“Miss Hawkins,” said Mr. Otter, “bring for Miss Beatty to try on one of those Russian sable coats and—let’s see—one of those latest model black tulle hats with white tips.”

Elsie stood before the full-length mirror with pink cheeks and quick breath. Her eyes shone like faint stars. She was beautiful. Alas! she was beautiful.

I wish I could stop this story here. Confound it! I will. No; it’s got to run it out. I didn’t make it up. I’m just repeating it.

I’d like to throw bouquets at the wise cop, and the lady who rescues Girls from Jobs, and the prohibitionist who is trying to crush brandy balls, and the sky pilot who objects to costumes for stage people (there are others), and all the thousands of good people who are at work protecting young people from the pitfalls of a great city; and then wind up by pointing out how they were the means of Elsie reaching her father’s benefactor and her kind friend and rescuer from poverty. This would make a fine Elsie story of the old sort. I’d like to do this; but there’s just a word or two to follow.

While Elsie was admiring herself in the mirror, Mr.

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