A HISTORY OF SURREY
��holy-water stock, with a plain segmental head. Pre- vious to 1865 this was covered by a plain brick porch of late date. Above the door is a small rough sundial, which projects from the face of the wall about 3 in. west of the door, and in the upper part of the wall is a blocked opening with plain quoined jambs and a flat stone lintel. This is possibly pre-Con- quest, and may have opened to the first floor of an early porch covering the south door. Between this and the sundial a modern lancet window has been inserted. The present entrance is on this side, and is again further west and covered by a modern open timber porch. The west window of the nave is modern.
The north chapel is lit on the east by an original window of excellent design, of three trefoiled lights with sub-mullions and smaller lights over and an external label. The jambs, head, and mullions are moulded. In the south wall are a pair of windows of similar but less skilful design, and of only two lights. In these the jambs and mullions are plain. West of the second window is a blocked-up fireplace of the same date, with a flat four-centred moulded head. This is covered with scratchings. Amongst others the name ' Edmund de Bray, knight,' may be read, with a rough drawing of a bray. Near it, in square inclosing lines, are the names : 'Bastiano de Fan, Bern Macutto, Fran Latina,' all in roman capitals.
At the south-west is the door to and a part of the rood stair. At the west is a much restored and prob- ably widened arch to the organ-chamber (originally to the aisle). It is of obtuse two-centred form, and is of two chamfered orders, the outer being continuous in the jambs. Above it is a much restored quatrefoil light.
The transeptal organ-chamber is quite modern and replaces part of the aisle, which was itself rebuilt and lengthened, and the tower, which fills the western bay, of the present aisle, is also modern. It is surmounted by a shingled spirelet. None of the old doors or win- dows of the aisle remain, all having been replaced by modern ones.
The font is placed under the tower, and is a plain octagonal one of late 15th-century date.
The pulpit is a handsome one of early lyth-century date. It is seven-sided in form and stands upon a central post with elaborately carved brackets. At the angles are fantastic Ionic pilasters surmounted by grotesques. The faces have carved and inlaid panels with enriched mouldings, and the crown mould and book-rest are elaborately ornamented.
At the back is a carved standard of similar detail with an oval shield charged with the Vincent arms and quarterings. This supports a large sounding- board with a carved central panel of grotesque design, angle pendants and a carved cornice, held up by a pair of elaborately scrolled wrought-iron stays, the whole being an unusually complete example of an early- lyth-century church fitting. In the wall near it is a wrought-iron hour-glass stand of the same date. There is also a wooden eagle lectern of foreign design and workmanship. In the north aisle is a very fine chest of I jth-century date. It is of oak, and in size is 3 ft. 1 1 in. by I ft. 6^ in. by 2 ft. 2 in. high. It is raised from the floor about 7 j in. by end standards of board, the inner edges of which below the chest itself are roll-stop-chamfered. On the front of the chest are three roundels of geometrical incised
��work. There are three lock plates, and two hasps remain. In the lid is a money slot. The altar table is also of early 17th-century date and has a movable top.
In the chancel floor is a large slab, some 8 ft. long, of blue-grey marble. The margin is inscribed in sunk Lombardic capitals : ' Sire Johan Daubernovn chivaler gist icy Dev de sa Alme eyt mercy." Let into the slab is a life-size brass of a knight in armour, the earliest now known in England ; it dates from 1277. He is shown wearing a coif and camail of chain mail, the former strapped over the forehead. The hawberk reaches about two-thirds down the thigh, and the sleeves are corded at the wrists and terminate in mail mittens. The legs are encased in mail chausses fastened to kneecops of cuir bouilli which are orna- mented with rosettes and an engrailed border. The mail is then continued as a thigh covering. There are no visible traces of a gambeson, though some such garment would certainly be worn. The sur- coat is very ample and open in front from a little below the waist. The edge of this opening and the skirts, which reach to the bottom of the calf, are fringed. At the waist is a narrow plaited girdle. The sword is large, about 4 ft. long. The hilt has a large circular flat pommel, a corded grip, and short heavy quillons curving slightly downwards. The scabbard is tipped with metal and brought up into an obtuse V clasping the guard on either side. The sword-belt is broad and fairly plain, being merely orna- mented with a stitched border and punched work at the buckle-holes. The frog is elaborately arranged to cant the sword at a slight angle, and the whole belt passes diagonally round the hips.
The shield is small and heater-shaped and bears : azure a cheveron or, the field being enamelled. The cheveron is drawn very narrow and is carried up to the top of the shield. The shield, resting on the left arm, is slung over the right shoulder by a broad belt ornamented with a rose and swastica and having a broad buckle. In the crook of the right arm is a lance some 6 ft. long, without grip or vamplate, and with a small fringed pennon bearing a cheveron.
Plain prick spurs are worn with a rather thin strap. The hands are joined in prayer, and the feet rest upon a lion which bites the butt of the lance.
Near this is another slab with a brass represent- ing Sir John D'Abernon the younger, 1327. The marginal inscription has unfortunately been lost except a few short lengths on which the words ' ici g . . . eit merci," appear in Lombardic capitals. The figure is clad in armour, and wears first a gambeson, the longitudinally padded square skirts of which are visible and reach to just above the knee. Over this is a hawberk of banded mail worked at the skirts into a rounded point falling in front to a little below the gambeson, while at the sides it is slightly above it. The sleeves are wide and straight, the bands running lengthwise of the fore-arm and round the upper arm, and terminated without strapping at about the middle of the forearm. Beneath is visible some form of close-fitting arm defence, possibly of leather, and part of the gambeson. Over the hawberk is an aketoun of pourpoint with fringed skirts reaching to the middle of the thigh. Over this is worn a cyclas fitting the torso fairly closely and laced up the sides, but having fairly wide skirts of unequal
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