A HISTORY OF SURREY
��archway is panelled to the ceiling in early I yth-century oak, with fluted Doric pilasters on pedestals, two on each wall, and a modillioned moulded cornice. The fireplace is of chalk with a moulded straight-sided four-centred head, and has an elaborate mantel with carved figures and panel of ' strapwork ' ranging with the panelling. A small door in the north-west corner of the room, opening on to the turret stairs, retains its original latch, lock, bolt, and hinges, while the main entrance door on the east is elaborately panelled, has a carved lunette, and retains its heavy strap- hinges and wood-cased lock. There is some very fine furniture in this room. The table, of early 17th-century date, has carved bulging baluster legs and an extension top. There are also a smaller cir- cular gate-legged table of slightly later date, and two sets, each of eight, of Chippendale chairs, one with honeycomb-pattern backs. There are also some fine l yth-century chairs. In this room the Duke of Monmouth was confined on his way to London after Sedgemoor. West of the arch are lodgings and offices, while east of the arch are the master's apartments on two floors. The east and west wings contain the main provision for lodgings, the brethren being on the west, the sisters on the east. These two wings are of two stories with attic space in the roof lit from the north and south gables, and from gables in the centre of each wing on the courtyard side. The lodgings consist of single rooms with a small cupboard or pantry, and there is a simple closed staircase to each pair, reiched from a door on to the courtyard, which also series thj ground-floor lodgings. These door- ways have solid oak frames moulded with a chamfer and an ogee. They are square-headed, and the mouldings are stopped with a moulded half-octagonal stop on a broad chamfer. There is no arch in the brickwork, the top of the frame forming a lintel. The doors themselves are of late 1 8 .h-century date and in two leaves, the staircases also belonging to this time. The internal doors to the individual lodgings, how- ever, are original, and are made up of tongued and moulded battens. The windows are all stone-dressed and of three square-headed lights without labels, but in both floors tied by moulded strings. The gable windows are of two lights with a square-headed label. The walls are finished with tile copings and parapets. The north wing contains, on the east, the chapel, which is carried up two stories. Internally the chapel has been a good deal modernized, but retains its original open-oak seating, and an almsbox on a turned post. There are two windows, one to the east of five cinquefoiled lights with tracery over of pseudo-Gothic design, the other to the north of four cinquefoiled lights with a three-centred head. What at once strikes an observer is the disproportionate size of these windows for the small chapel. The east window cuts through an outer string-course, showing pretty clearly that windows of this size were an afterthought. They are filled with painted glass of two, and perhaps three, dates. In the upper parts of both is glass of Abbot's time, showing his arms and those of the sees which he held, of James I, Queen Anne of Denmark, and the Elector Palatine their son- in-law. In the lower part a portion only of the story of Jacob and Esau appears. Dr. Ducarel, writing more than a century after the time, says that Abbot got the windows from the Dominican Friary in Guildford. As some of this glass is apparently
��Flemish glass of circa 1490-1500, it is possible that this is true, and that the remainder was made up as nearly as possible in the same style. The windows are evidently an afterthought, the subject is incom- plete, the glass composite, and the verses under it not such as would be composed in England in the I yth century, when the old Latin hymn metres were quite disused. About the time that the chapel was being built the friary buildings were being finally de- molished to build the Earl of Annandale's house. The door in the north-east corner of the court has raised and mitred panels with a fluted lunette, while in the corner of the square-headed moulded frame are carved spandrels, and there is a heavy moulded keyblock. West of the chapel is the former common dining-room, now used as a reading-room. It is completely panelled in early I yth-century panel- ling with butted mouldings and a dentilled and carved cornice. The top range of panels is carved in flat arabesques and the mantel is an enriched con- tinuation of the panelling. The fireplace, a wide one, is of chalk, with a moulded straight-sided four-centred head and a raised brick hearth projecting in an oval. The crane and fire-dogs remain, and there are fire- irons, plate warmers, &c., of lyth and early i8th- century date. A fixed bench runs round the walls with a moulded nosing, baluster legs, and a foot rail. There is some good I yth-century furniture in the room, including a table with baluster legs and four- way feet and a carved panelled settle with a high back. There is an entrance from the court, and also a door from a passage which runs through the north wing from the court to the garden at the back of the hospital. Both of these doors are of similar detail to the chapel door. This passage has an archway at each end, of two orders of moulded rubbed brickwork, the inner semicircular, the outer square-headed. Opposite the door from the dining-hall is a similar one entering a passage leading to the kitchen, which is at the west end of the north wing, and a serving hatch. This passage is also entered from the north-west corner of the court, and gives on to a broad staircase of early 1 8th-century date with a heavy moulded hand-rail, turned balusters, and plain newels. This stair leads to a hall over the dining-hall somewhat similarly fitted, with a plain barrel-vaulted plaster ceiling, to the spring of which oak panelling is carried. The fireplace is of chalk and has an elaborate mantel, carved figures, enriched panels, &c. The entrance door from the landing is elaborately orna- mented with small corbel columns and a moulded cornice. The north wing has a range of cellars under it, and shows to the north a picturesque gabled elevation with wide projecting chimney-breasts. The passage from the court leads to a wide double flight of steps to the garden, which is at a much lower level than the court, and runs down to North Street. In the garden at the south-east is a square brick summer-house with open round-headed arches on three sides. It has a hipped tiled roof and a heavy wooden cornice, and is of early 18th-century date. In the middle of the north side of the court is a stepped gable in which is a clock dated 1619, but apparently modern, and above and on each side of this are three terra-cotta panels with the arms of Canterbury, the initials C.A., and Archbishop Abbot's own coat. The chimney-stacks are good. They are of two designs, the simpler having square flues with
��550
�� �
