speak of Ruskin as a lounging æsthete, who strolled into economics, and talked sentimentalism. In plain fact, Ruskin was seldom so sensible and logical (right or wrong) as when he was talking about economics. He constantly talked the most glorious nonsense about landscape and natural history, which it was his business to understand. Within his own limits, he talked the most cold common sense about political economy, which was no business of his at all.
On the other side of his literary soul, his mere unwrapping of the wealth and wonder of European art, he set going another influence, earlier and vaguer than his influence on Socialism. He represented what was at first the Pre-Raphaelite School in painting, but afterwards a much larger and looser Pre-Raphaelite School in poetry and prose. The word "looser"? will not be found unfair if we remember how Swinburne and all the wildest friends of the Rossettis carried this movement forward. They used the mediæval
