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THE VOICE OF THE CITY

They drove in a cab to the Café Terence, just off the most glittering part of Broadway, which, as every one knows, is one of the most popular and widely patronized, jealously exclusive Bohemian resorts in the city.

Down between the rows of little tables tripped Medora, of the Green Mountains, after her escort. Thrice in a lifetime may woman walk upon clouds—once when she trippeth to the altar, once when she first enters Bohemian halls, the last when she marches back across her first garden with the dead hen of her neighbor in her hand.

There was a table set, with three or four about it. A waiter buzzed around it like a bee, and silver and glass shone upon it. And, preliminary to the meal, as the prehistoric granite strata heralded the protozoa, the bread of Gaul, compounded after the formula of the recipe for the eternal hills, was there set forth to the hand and tooth of a long-suffering city, while the gods lay beside their nectar and home-made biscuits and smiled, and the dentists leaped for joy in their gold-leafy dens.

The eye of Binkley fixed a young man at his table with the Bohemian gleam, which is a compound of the look of the basilisk, the shine of a bubble of Würzburger, the inspiration of genius and the pleading of a panhandler.

The young man sprang to his feet. “Hello, Bink,

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