Now, to write of a man’s haberdashery is a worse thing than to write a historical novel “around” Paul Jones, or to pen a testimonial to a hay-fever cure.
Therefore, let it be known that the description of Vuyning’s apparel is germane to the movements of the story, and not to make room for the new fall stock of goods.
Even Broadway that morning was a discord in Vuyning’s ears; and in his eyes it paralleled for a few dreamy, dreary minutes a certain howling, scorching, seething, malodorous slice of street that he remembered in Morocco. He saw the struggling mass of dogs, beggars, fakirs, slave-drivers and veiled women in carts without horses, the sun blazing brightly among the bazaars, the piles of rubbish from ruined temples in the street—and then a lady, passing, jabbed the ferrule of a parasol in his side and brought him back to Broadway.
Five minutes of his stroll brought him to a certain corner, where a number of silent, pale-faced men are accustomed to stand, immovably, for hours, busy with the file blades of their penknives, with their hat brims on a level with their eyelids. Wall Street speculators, driving home in their carriages, love to point out these men to their visiting friends and tell them of this rather famous lounging-place of the “crooks.” On Wall Street the speculators never use the file blades of their knives.
[219]
