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THE VOICE OF THE CITY

when the caballeros of the lariat and “forty-five” reduced ennui to a minimum.

And then, with a sweep of his white, unringed hands, he dismissed Melpomene, and forthwith Diana and Amaryllis footed it before the minds’ eyes of the clubmen.

The savannas of the continent spread before them. The wind, humming through a hundred leagues of sage brush and mesquite, closed their ears to the city’s staccato noises. He told them of camps, of ranches marooned in a sea of fragrant prairie blossoms, of gallops in the stilly night that Apollo would have forsaken his daytime steeds to enjoy; he read them the great, rough epic of the cattle and the hills that have not been spoiled by the hand of man, the mason. His words were a telescope to the city men, whose eyes had looked upon Youngstown, O., and whose tongues had called it “West.”

In fact, Emerson had them “going.”

The next morning at ten he met Vuyning, by appointment, at a Forty-second Street café.

Emerson was to leave for the West that day. He wore a suit of dark cheviot that looked to have been draped upon him by an ancient Grecian tailor who was a few thousand years ahead of the styles.

“Mr. Vuyning,” said he, with the clear, ingenuous smile of the successful “crook,” “it’s up to me to

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