forest could be heard. It echoed like a hall. There were sudden cries; and then long spaces of silence, such as there are in a cathedral when a boy's voice has ceased and the echo of it still seems to haunt about the remote places of the roof. Once Mr. Flushing rose and spoke to a sailor, and even announced that some time after luncheon the steamer would stop, and they could walk a little way through the forest.
"There are tracks all through the trees there," he explained. "We're no distance from civilisation yet."
He scrutinised his wife's painting. Too polite to praise it openly, he contented himself with cutting off one half of the picture with one hand, and giving a flourish in the air with the other.
"God!" Hirst exclaimed, staring straight ahead. "Don't you think it's amazingly beautiful?"
"Beautiful?" Helen enquired. It seemed a strange little word, and Hirst and herself both so small that she forgot to answer him.
Hewet felt that he must speak.
"That's where the Elizabethans got their style," he mused, staring into the profusion of leaves and blossoms and prodigious fruits.
"Shakespeare? I hate Shakespeare!" Mrs. Flushing exclaimed; and Wilfred returned admiringly, "I believe you're the only person who dares to say that, Alice." But Mrs. Flushing went on painting. She did not appear to attach much value to her husband's compliment, and painted steadily, sometimes muttering a half-audible word or groan.
The morning was now very hot.
"Look at Hirst!" Mr. Flushing whispered. His sheet of paper had slipped on to the deck, his head lay back, and he drew a long snoring breath.
Terence picked up the sheet of paper and spread it out before Rachel. It was a continuation of the poem on God which he had begun in the chapel, and it was so indecent that Rachel did not understand half of it although she saw that it was indecent. Hewet began to fill in words where Hirst had left spaces, but he soon ceased; his pencil rolled on deck. Gradually they approached nearer and nearer to the bank on the right-hand
