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CHAPTER II

PESSIMISM AND THE IDEAL OF THE SUBLIME LIFE

At the close of the Middle Ages, a sombre melancholy weighs on people's souls. Whether we read a chronicle, a poem, a sermon, a legal document even, the same impression of immense sadness is produced by them all. It would sometimes seem as if this period had been particularly unhappy, as if it had left behind only the memory of violence, of covetousness and mortal hatred, as if it had known no other enjoyment but that of intemperance, of pride and of cruelty.

Now in the records of all periods misfortune has left more traces than happiness. Great evils form the groundwork of history. We are perhaps inclined to assume without much evidence that, roughly speaking, and notwithstanding all calamities, the sum of happiness can have hardly changed from one period to another. But in the fifteenth century, as in the epoch of romanticism, it was, so to say, bad form to praise the world and life openly. It was fashionable to see only its suffering and misery, to discover everywhere signs of decadence and of the near end—in short, to condemn the times or to despise them.

We look in vain in the French literature of the beginning of the fifteenth century for the vigorous optimism which will spring up at the Renaissance—though, by the way, the optimist tendency of the Renaissance is sometimes exaggerated. The exulting exclamation of Ulrich von Hutten, which has become trite from much quoting, "O saeculum, O literae! juvat vivere!"[1] expresses the enthusiasm of the scholar rather than that of the man. With the humanists optimism is still tempered by the ancient contempt, both Christian and

  1. "O world, O letters, it is a delight to live!"

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