could to comfort the forces under her command, who took in refreshing rations of cake and tea, and patiently looked for the coming engagement: but she herself, Eleanor, had no spirit for the work; the only enemy whose lance she cared to encounter was not there, and she and others were somewhat dull.
Loud above all voices was heard the clear sonorous tones of the archdeacon as he dilated to brother parsons of the danger of the church, of the fearful rumours of mad reforms even at Oxford, and of the damnable heresies of Dr. Whiston.
Soon, however, sweeter sounds began timidly to make themselves audible. Little movements were made in a quarter notable for round stools and music stands. Wax candles were arranged in sconces, big books were brought from hidden recesses, and the work of the evening commenced.
How often were those pegs twisted and retwisted before our friend found that he had twisted them enough; how many discordant scrapes gave promise of the coming harmony! How much the muslin fluttered and crumpled before Eleanor and another nymph were duly seated at the piano; how closely did that tall Apollo pack himself against the wall, with his flute, long as himself, extending high over the heads of his pretty neighbours; into how small a corner crept that round and florid little minor canon, and there with skill amazing found room to tune his accustomed fiddle!
And now the crash begins: away they go in full flow of harmony together—up hill and down dale—now louder and louder, then lower and lower: now loud, as though stirring the battle; then low, as though mourning the slain. In all, through all, and above all, is heard the violoncello. Ah, not for nothing were those pegs so twisted and retwisted—listen, listen! Now alone that saddest of instruments tells its touching tale. Silent, and in awe, stand fiddle, flute, and piano, to hear the sorrows of
