THE WINGS OF THE DOVE
been just the spell—even to the perceptions of youth. There was the danger—she frankly touched it—that such a temperament mightn't have matured, with the years, all in the sense of fineness; it was the sort of danger that, in renewing relations after long breaks, one had always to look in the face. To gather in strayed threads was to take a risk—for which, however, she was prepared if Milly was. The possible "fun," she confessed, was by itself rather tempting; and she fairly sounded, with this—wound up a little as she was—the note of fun as the harmless final right of fifty years of mere New England virtue. Among the things she was afterwards to recall was the indescribable look dropped on her, at this, by her companion; she was still seated there between the candles and before the finished supper, while Milly moved about, and the look was long to figure for her as an inscrutable comment on her notion of freedom. Challenged, at any rate, as for the last wise word, Milly showed perhaps, musingly, charmingly, that, though her attention had been mainly soundless, her friend's story—produced as a resource unsuspected, a card from up the sleeve—half surprised, half beguiled her. Since the matter, such as it was, depended on that, she brought out, before she went to bed, an easy, a light "Risk everything!"
This quality in it seemed possibly a little to deny weight to Maud Lowder's evoked presence—as Susan Stringham, still sitting up, became, in excited
156
