THE WINGS OF THE DOVE
went she was more glad to be alone, for nobody—not Kate Croy, not Susan Shepherd either—would have wished to rush with her as she rushed. She had asked him at the last whether, being on foot, she might go home so, or elsewhere, and he had replied as if almost amused again at her extravagance: "You're active, luckily, by nature—it's beautiful: therefore rejoice in it. Be active, without folly—for you're not foolish: be as active as you can and as you like." That had been in fact the final push, as well as the touch that most made a mixture of her consciousness—a strange mixture that tasted at one and the same time of what she had lost and what had been given her. It was wonderful to her, while she took her random course, that these quantities felt so equal: she had been treated—hadn't she?—as if it were in her power to live; and yet one wasn't treated so—was one?—unless it came up, quite as much, that one might die. The beauty of the bloom had gone from the small old sense of safety—that was distinct: she had left it behind her there forever. But the beauty of the idea of a great adventure, a big dim experiment or struggle in which she might, more responsibly than ever before, take a hand, had been offered her instead. It was as if she had had to pluck off her breast, to throw away, some friendly ornament, a familiar flower, a little old jewel, that was part of her daily dress; and to take up and shoulder as a substitute some queer defensive weapon, a musket, a spear, a battle-axe—conducive
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